London-based electronic duo Bassvictim, comprised of vocalist and writer Maria Manow and producer Ike Clateman, has had a tireless 2025. Following the success of their sophomore project Basspunk 2 and their electrifying live performances, they’ve once again amazed the world with their debut album, Forever. Across eleven tracks, the pair push their creativity, exploring a diverse range of electronic styles. From the haunting sounds of witch house to the energetic beats of electroclash, and even warm, folky elements, they’ve created a collection that’s a thrilling and diverse joyride from start to finish.

Forever’s opening track “It’s me Maria,” booms with clustering synths, 808s, and warbled, fuzzed-out vocals that grab listeners by the arm and drag them into the kaleidoscopic world of the album. Once you’re down the rabbit hole, you have no choice but to enjoy the ride as the collage of iridescent sonics washes over and floats you downstream. The vibe then switches quickly with the following track, “27a Pitfield St.” Maria’s vocals, supported by a plucked string arrangement and fingersnaps, are initially gentle as she croons, “Dancing on the way / Let them go, no, don’t wait on / Grass about to come / Let’s get in, we’ve been waiting.” The track slowly becomes unhinged as Maria’s vocal tone grows increasingly aggressive, while the instrumentation turns more brooding, with digital elements introduced into the mostly organic production.

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